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Saw him play many times across multiple genres across 3+ decades from straight up classical to world music to electronica/tablatronics. Unfortunately never got to see him perform with John McLaughlin. He must have been 68 the last time I saw him live but still as good as ever. RIP!


Kris and I got to know each other a bit over the years. I still remember our first meeting vividly. We met for dinner at a Mexican restaurant in Capitol Hill and spent the evening talking containers, Linux, Kubernetes, and Open Source. This is a tough loss. I will take small in the fact that it happened doing the thing she loved.


I've had a Tesla (Model S) since early 2020 and once the initial allure wore offI've missed driving a BMW and once the i5 is here I'll be backing to driving BMW. The supercharger network is by far the reason I've stuck with the Tesla this long, but there's enough options now. The build quality, the drive quality, service quality, all of it is subpar. The Model 3 is a zippy car but the lack of an instrument cluster is a deal breaker for me.

Tesla deserve all the credit for getting everyone else to wake up. But they are so so at making a car I actually want to drive.


I used to use a phone as my backup camera when I was out doing bird photography. After a while I gave up. In variable light and high dynamic range conditions phones just don’t hold up (they do a better job with video). If you’re taking snapshots, nothing better than a phone.


I sold all my DSLRs over the past 18 months and jumped into the deep end. The lens systems are better, the cameras are better. I love having a histogram in the viewfinder. There's very little reason and battery life has never been an issue (it is for video but that's a different story).


When I went back to photography I put quite some thought into the next gear, obviously the old D70 I ahd lying around wasn't going to cut it. And I wanted full frame, so the D200 I borrowed from ky dad was at best a back up.

In the end I ended uo using, and loving, my dad's D700 I switched the D200 for (he's on a D750/200 combo now). I came to the conlusion that, regardless how good Nikon's Z cameras and lebses are, I prefer to spend the money on vacation and trips to places to shoot great pictures. So I am going to stick with the D700, with a mint, used D300 as a back-up. Some additional budget will go into a 400mm and a 20mm lense. And maybe a spare D700 body as long as those are still available with <50k shots taken. Honestly, this camera gave me the fun in ohotography back, I love using it. For my use as an artistic tool it the perfect camera.

As a pro so I would go mirroless, no doubt about that.


I've been doing a lot of research recently on the D700 and from everything I've read and heard is that it's a fantastic camera. It seems that it has all the right ingredients to produce stunning images. Additionally, it seems to be highly regarded for its ergonomics. Lucky you!


Ergonomics are great, picture quality has something special about even in RAW. The body is sturdy as a tank, feels a lot like a F4. Which already means I love it, back as 13 year old I was allowed to use my dad's back-up F4 to learn photography on film, slides and B&W. Another benefit is small files it creates, it makes post processing so much easier.

The one issue I see, so, is cropping. I am not talking about cutting some sides or going to portrait format, but rather cropping out e.g. birds. That's the only time the 12 MP hinder you. In a sense a D700 forces you to shoot better pictures.

Overall, if you can, get one. There are some from places like mpb.com with below 50k shutter count in very good condition for around / less than 400 Euro. You cannot do anything wrong.

Oh, a D700 doesn't do video. No problem for me, but if you want to do video that is a missing feature.


I have a 9 year old who’s learning all about synths via a combination of the synths in garage band and my OP1. Great combo IMO


The only bummer about synths now is that at 9 I learned a lot of networking concepts from having to adjust the MIDI setup of my keyboards/drum machines/sequencer (and then be able to get them back how my dad wanted them without him knowing I changed everything). Other than that I can't imagine if I would have had these capabilities at an early age. I mean, oh, you want a free symphony to play your music? OK. https://www.spitfireaudio.com/shop/a-z/bbc-symphony-orchestr... https://www.spitfireaudio.com/bbc-so-discover/application/


I’ve been a long time Spotify user but the difference in quality is very perceptible (to me at least) and I find myself using Apple Music a lot more.


lukehoban says it best in https://news.ycombinator.com/item?id=28711903 where he talks about the three things CloudFormation provides.

The Cloud Control API is an API to the resource model. It unlocks the ability for AWS teams to contribute to the resource model without having to worry about the rest of what Cloudformation does. As a service owner interested in contributing to other systems like TF and Pulumi, now I just have to contribute to one thing. In the medium/long term it's going to be a lot more efficient way to evolve how we all use AWS resources in our favorite Infrastructure-as-code systems.

Disclosure: Work at AWS (but not on the CloudFormation team)


Amazon has long had a VP-level engineer track (Peter Vosshall was the first IIRC). Colm is very rightly one.


Long in Amazon years. I departed five or six years ago and Senior Was the end of the road. Similar to how leveling a research scientist was voodoo.


That's not correct. There were Principal and higher engineers 13 years ago when I joined. 5 years ago, just EC2 had a fairly large number.


Positions past senior have existed much longer than 5 or 6 years at Amazon.


Haven't looked in any detail, but as I clicked around the thing that jumped out at me was how many in the "lower comp, higher returns" category were from healthcare/biotech. Wonder if there is a way to slice and dice by industry/segement?


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